- #2 BUS COMPRESSOR MIXER SIGNAL PATH UPDATE#
- #2 BUS COMPRESSOR MIXER SIGNAL PATH PATCH#
Track: connect after your mic preamp, synth, sampler, etc. Mix: process the 2-bus, bounce digitally recorded tracks and stems, combine with a DAW controlled summing system, or use with a passive summing in Folcrom mode. #2 BUS COMPRESSOR MIXER SIGNAL PATH PATCH#
Mix and Tracking Modes allows both Mix processing and Overdub / Tracking processing without any re-patching of cables or need for patch bays. C-Mix: crossfade blend of processed and dry signal. Hitmaker 4000 console modules pre-installed. MOJO Amp 'C' expansion slot to add Colour analog plugin modules or stereo Mojo Amp modules. 'A' and 'N' cascading MOJO Amp™ circuit topologies inspired by classic American and British consoles from the 70's. Tone-Amp™ analog Mix and Tracking processing modes with dedicated I/O. A/N Mojo + C Mojo (or Colour) + Inserts + Tone Shaping + Image Enhancement An exciting evolution of the mk1 concept, the mk2 is the ultimate solution for making the sounds in your head come to life. This feature allows integrated processing like tube saturation, compression, or EQ to be inserted into the signal path after Silver Bullet mk2’s classic 'A' or 'N' inspired Mojo Amps for the ultimate in front and back end versatility that is unmatched by any other product in its class. But we kept collecting ideas for making this powerful tool even more suited to our customers’ creative visions.Īnswering the call for flexibility and customization, Silver Bullet mk2 delivers with its twin topology (A or N) Mojo Amps, and adds an exciting twist-a third Mojo slot accepting either new stereo Mojo Amp or Colour Modules. When the Silver Bullet originally debuted in 2014 it was revolutionary: a stereo analog “console” with cascading Mojo Amps and Tone Shaping EQ to glue and sweeten the mix bus, stems, and individual tracks of hybrid analog/digital studios. It even had Mic preamp modes and a built-in matrix I/O router. We even leveled up the meter and added much-requested fully balanced inserts. While maintaining the hallmark intuitive workflow of the original mk1 unit thanks to the abundance of I/O and the built-in matrix router, the mk2 features expanded user-customizable MOJO, increased Tone Shaping options, and the new ASPECT RATIO stereo image enhancer-making this desert island tool even more versatile and powerful. The Silver Bullet mk2 is the culmination of over 7 years of dreaming, designing, and building: a flagship 2RU stereo Bus/Line/Mic Tone-Amp that brings real analog mojo and streamlined workflow to the modern DAW-based studio. 
Please read the pre-order terms and FAQ tab for more info before ordering. Pre-order now to be get in the notification queue for available units.
Latency compensated parallel bypass (i.e.The droids at Rogue Planet Command are currently building this awesome new product. Delta preview mode to preview the difference between compressed and original signal. Advanced stereo linking options optimized for the stereo bus. Unique control scheme with independent release controls for peak and RMS events, as well as a compression Crest Factor control. Super fast and natural sounding compression. Three side-chain filter slopes: 3dB/Oct, 6dB/Oct and 12dB/Oct. Delta oversampled signal path (bit transparent at 0dB gain reduction). Multi-rate processing structure for highest accuracy, critical operations run up to 8 times the audio rate. 64bit floating point precision for all relevant calculations. Beautiful “Feed-Back Compression” sound and behavior. This is a proud digital processor, made with an immense amount of love and care. 
We want to emphasize the fact that the processor neither tries to emulate any previously available device, nor does it follow popular trends like “virtual analogue”, “circuit modeling” or similar buzz words. The compressor has been carefully tuned for intuitive and musical operation for almost every situation. TDR Feedback Compressor II takes this traditional compression topology to new heights with a highly flexible, yet intuitive control scheme. This approach delivers an unobtrusive and highly musical compression characteristic. TDR Feedback Compressor II, however, analyzes the output. Most modern compressors analyze the input signal to control gain reduction, using a “feed-forward” topology. The compressor is dedicated to compressing the highest fidelity stereo program (2-buss), but equally shines in classic mixing tasks.
#2 BUS COMPRESSOR MIXER SIGNAL PATH UPDATE#
The TDR Feedback Compressor II is a major design update of its critically acclaimed predecessor. A successor product is now available! Please use TDR Kotelnikov in your new projects.
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